"Wind, Soil, and Bowers of Empty Illusion" was a project by Dachen Bao, who explored aspects of imperialist colonialism in China alongside the history of Chinese migration into Katendrecht, Rotterdam.
Hester Scheurwater's work Studio Studies is a 'visual pamphlet' in which she responds to the contemporary image of the double standards surrounding the sexuality of women.
TOT's first open-call recipients, Mika Radescu and Aletta de Jong shared the garden during the onset of the second pandemic. Both works reflect feelings about the state of being at the time.